Grace Byron’s debut novel is an eerie horror set in an all-trans commune

Grace Byron occupies a curious position in New York culture: she is a rising star in a collapsing industry. A journalist and cultural critic for an array of the US’s most eminent magazines, she has built an impressive reputation in a relatively short time. Her criticism is incisive, enjoyable, densely researched, and published at a speed I personally find unfathomable (start with her recent cluster of New Yorker pieces on the Trump administration’shellip;

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