The rise of Sweden’s post-pop underground

It’s Wednesday night at Stoke Newington’s The Waiting Room. “Meds will keep me sane / ‘Cause peace it will prevail,” sings Venus Anon, who has flown in from Stockholm to be here. A projection of spliced-together archive footage illuminates the stage: fawns play in the snow and everything is stark and white; camels trek through the desert and the room is thrust intohellip;

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