These paintings reimagine historical masterpieces through a queer lens

The human form is malleable and transformative in Dig, Harry Spike’s debut solo exhibition at Cob Gallery, London. In these paintings, bodies emerge in and out of vivid landscapes, reaching out for some – often obscure – object of desire with blurred, formless faces. This act of erasure carries a specific intent, a way of making viewers reconsider what it ishellip;

read more raquo;

nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;
View Gallery (6 images)nbsp;