Pedro Pascal and Joaquin Phoenix on Eddington, politics and doomscrolling
Halfway into our interview, Joaquin Phoenix grabs his iPhone to photograph me and Pedro Pascal. The reason, he explains, is the unusual way I handwrite my questions. Even Phoenix, an old-school Hollywood actor without social media, can’t keep away from his devices. Fittingly, in Ari Aster’s political comedy Eddington, everyone seems to have a mobile phone…
